Food can be a vital element to help readers better understand the world of a speculative fiction story. How does technology in your story define the food culture (or is it the other way around)? What does the food say about trade and commerce, and how does it reflect class structure?
What makes a good novel? How do you know it’s ready? Where should you send it and how should you respond to comments? This is your chance to ask burning questions to a panel of respected agents and editors.
We all know what cities look like. How do you take that foundation and turn it into a setting for your urban fantasy story? This panel will offer tips and suggestions to get you started.
Presented with all of SFF to review, how does a reviewer determine their beat? Should they read widely, and address work as a knowledgeable generalist, or read deeply within their specialty, and bring that specialty to bear? Reviewers will discuss their practices of how they choose what to review or not to review, their path… Continue reading Reviewing: Widely or Deeply?
It’s 2021, do you still need an agent? Typically, yes! Agents are very useful, not only in securing a traditional book deal, but also in handling contract disputes, foreign rights, and helping you land that elusive movie or TV option. Panelists will discuss when and why agents are useful, and how to determine if your… Continue reading Working with an Agent
What makes a good short story? How do you know it’s ready? Where should you send it and how should you respond to comments? This is your chance to ask burning questions to a panel of respected short fiction editors.
From The Languages of Pao to Embassytown, authors from all eras have explored the limits of humankind’s greatest invention: language. In this panel, linguists and language experts discuss what works and what doesn’t, and how to walk the line between science and science fiction with respect to language.
How are the productivity gains depicted in science fiction distributed? Why do so many stories feature an oligarchical ruling class? Does the expression of class differ across times, cultures, and nations? How do science fiction and fantasy writers discuss the intersection of class and other modes of oppression and discrimination?
Is it best to publish under the name in your wallet? Should you have different names for every genre, or put all your work under a single name so your fans can find you? Is it disingenuous to use a pen name to imply an identity that’s not your own, or is this just creative… Continue reading To Pseud or Not to Pseud
After the fight, what shape is your hero in? Can they realistically carry on hero-ing in the next scene, or will they need a recovery scene before jumping back into the fray? What are some good ways to plausibly introduce complications into the healing and medical processes established in your setting to make the hero’s… Continue reading Is There a Doctor in the House?